Breakout indie directors don't all choose to make the some kind of follow-up film. Some sign on for a big studio movie, others make something similar but safe, and the rest take the larger funding they can now attract to produce something more ambitious. Derek Cianfrance has taken the third path, using the success of his second film, Blue Valentine, to bankroll a small-town crime epic about the impact of one person's mistakes on those around him and those who come after him.
Ryan Gosling plays Luke Glanton, a stunt motorcycle rider touring with a state fair. When his job takes him back to Schenectady, New York, he learns he has a baby son with local waitress Romina (Eva Mendes). Determined to be in his child's life, Glanton quits the fair but turns to bank robbery when he can't make ends meet. The story is divided into three sections as we follow the impact of that decision on a local cop (Bradley Cooper), his family, and Romina's family.
The ripple-effect narrative is fairly familiar; the strength of The Place Beyond the Pines is its execution. Crime is a ruinous violation in this film's world, every transgression an affront even when well-intentioned or born from pain.When Gosling attacks or threatens, it feels grotesque. When Cooper blackmails someone, their refusal to shake his hand isn't merely a macho snub: Cooper now feels tainted to us. Cianfrance uses these crime fiction plot devices to not just drive the story, but to examine them as tragic mistakes with a powerful legacy.
